New York, NY – Matthew Broderick’s return to the stage as the titular character in Molière’s “Tartuffe” at the Irish Theatre Company has been met with widespread critical acclaim, marking a triumphant and surprisingly relevant revival of the 17th-century comedy. The production, which opened December 7th and continues through December 28th, continues to generate buzz, solidifying Broderick’s reputation for intelligent and nuanced performances.
The play, a sharp satire of religious hypocrisy and social climbing, has been meticulously staged by director Jack O’Brien. O’Brien’s choices prioritize clarity and a brisk pacing, successfully guiding the audience through Molière’s intricate wordplay. The set design, by Joanna Page, is simple yet effective, relying on subtle shifts in lighting and spatial arrangement to heighten the comedic tension.
Broderick’s portrayal of Tartuffe, a charming and manipulative charlatan, is the undeniable heart of the production. He skillfully navigates the character’s deceptive facade, seamlessly transitioning between pious pronouncements and sly self-interest. Critics have praised his ability to convey both Tartuffe’s vulnerability and his dangerous ambition, a feat requiring considerable comedic timing and dramatic control. “Broderick embodies Tartuffe with a captivating mix of innocence and cunning,” noted Broadway World’s critic, David Miller, in a recent review. “He’s not merely playing the part; he inhabits it entirely.”
Supporting performances are equally strong. Alice Lowe delivers a wonderfully wicked portrayal of Orgon, Tartuffe’s gullible and easily swayed father. Benjamin Walker as Vincent and the supporting cast provides a consistently strong ensemble, elevating the comedic nuances of the text.
While the play’s themes – deception, faith, and social status – may seem timeless, the production’s resonance is particularly acute in today’s political landscape. “The play’s critique of blind faith and the manipulation of public opinion feels strikingly relevant,” observed The New York Times’ theater critic, Sarah Chen, in a pre-opening interview. “It’s a reminder that skepticism and critical thinking are always essential.”
“Tartuffe” at the Irish Theatre Company is a sophisticated and thoroughly entertaining production. Its enduring comedic power, combined with Broderick’s exceptional performance, ensures its place as a must-see for theatregoers. Tickets are available via the Irish Theatre Company website (www.irishtheatrecompany.org).