Autor: admin

Un espectáculo electrizante de la veterana actriz de Broadway, Beth Leavel, capturado en el icónico 54 Below.

[Imagen: Una captura de pantalla del video mostrando a Beth Leavel interpretando ‘Rose’s Turn’ y ‘Las Damas Que Almorazan’ en 54 Below. Incluir un encabezado llamativo del video si es posible.]

Nueva York, NY – 19 de agosto de 2025 – Los aficionados al teatro de Broadway están de enhorabuena: el talentoso Beth Leavel, conocida por sus roles icónicos en producciones como *Waitress* y *The Sound of Music*, ha compartido un video impresionante de su reciente actuación en 54 Below, un famoso club de jazz y teatro de Nueva York. El video, que captura a Leavel interpretando magistralmente “Rose’s Turn” de *Gypsy* y “Las Damas Que Almorazan” de *Funny Girl*, ha generado un gran revuelo en las redes sociales y entre los amantes del arte escénico.

54 Below, ubicado en la animada ciudad de Chelsea, es un destino obligado para los aficionados al teatro que buscan una experiencia íntima y de alta calidad. La sala es famosa por albergar a algunas de las mejores voces de Broadway y escenario, y ofrece actuaciones en vivo de artistas de todo el mundo.

Una Interpretación Poderosa

En el video, Leavel demuestra su increíble rango vocal y su habilidad para transmitir la intensidad emocional de cada canción. Su interpretación de “Rose’s Turn” es particularmente impresionante, capturando la desesperación y la ambición de la icónica vaquera. Leavel realmente da vida al personaje, y su entrega es conmovedora y teatral.

En “Las Damas Que Almorazan”, Leavel demuestra su dominio del humor y su capacidad para conectar con el público. La interpretación es un deleite para los oídos y el ojo.

Un Espectáculo para No Perderse

Este video es una excelente oportunidad para ver a Beth Leavel en acción y para apreciar su talento. Leavel es una verdadera leyenda de Broadway, y su presencia en 54 Below siempre es un acontecimiento especial.

Más sobre Beth Leavel:

Beth Leavel es una actriz y cantante con una larga y exitosa carrera en Broadway. Ha aparecido en numerosas producciones de Broadway, incluyendo *Waitress*, *The Sound of Music*, *Annie*, y *My Fair Lady*. Leavel también ha grabado varios álbumes de música y ha aparecido en televisión y cine.

[Enlace al video original: https://www.broadwayworld.com/article/Video-Beth-Leavel-Performs-Roses-Turn-and-The-Ladies-Who-Lunch-at-54-Below-20250819]

Etiquetas: Beth Leavel, 54 Below, Broadway, Rose’s Turn, Las Damas Que Almorazan, Gypsy, Funny Girl, Teatro, Música en Vivo, Actuaciones en Vivo, Música de Broadway.

—

Fuente: https://www.broadwayworld.com/article/Video-Beth-Leavel-Performs-Roses-Turn-and-The-Ladies-Who-Lunch-at-54-Below-20250819

Nueva York, 19 de agosto de 2025 – El público de 54 Below tuvo una noche inolvidable el pasado martes, 19 de agosto, gracias a la excepcional actuación de Beth Leavel, quien interpretó magistralmente dos clásicos del teatro musical: “Rose’s Turn” de *Gypsy* y “The Ladies Who Lunch” de *Coco* en este prestigioso club nocturno neoyorquino.

El video, ahora disponible en línea, captura la intensidad y el carisma de Leavel mientras interpreta estas dos canciones icónicas, demostrando su versatilidad y su pasión por el teatro musical. Leavel, conocida por su interpretación de Velma Kelly en *Chicago*, entrega una versión llena de dramatismo y emoción de “Rose’s Turn”, mostrando su poder vocal y su capacidad para transmitir la vulnerabilidad y el arrebato del personaje.

Posteriormente, La actriz se transformó en la implacable y descarada Tex Riley con una versión electrizante de “The Ladies Who Lunch”. La performance, llena de energía y un marcado sentido del humor, es un testimonio de la habilidad de Leavel para conectar con el público y sumergirlo en la historia.

54 Below, un club nocturno de renombre en la ciudad de Nueva York, es un lugar popular para que los artistas del teatro musical muestren su talento. El video se ha generado un gran entusiasmo entre los fans de Leavel y entre aquellos que aprecian la excepcionalidad de la interpretación musical.

Mira el video completo aquí: [Enlace a la URL original: https://www.broadwayworld.com/article/Video-Beth-Leavel-Performs-Roses-Turn-and-The-Ladies-Who-Lunch-at-54-Below-20250819]

#BethLeavel #54Below #Gypsy #Coco #RoseTurns #TheLadiesWhoLunch #TeatroMusical #Broadway #MusicaDeTeatro #Performance #VideoMusical

Palabras Clave: Beth Leavel, 54 Below, Rose’s Turn, The Ladies Who Lunch, Gypsy, Coco, Teatro Musical, Broadway, Performance, Video Musical.

Fuente: https://www.broadwayworld.com/article/Video-Beth-Leavel-Performs-Roses-Turn-and-The-Ladies-Who-Lunch-at-54-Below-20250819

Un emotivo y potente espectáculo de Beth Leavel, una leyenda del teatro musical, que cautiva en el icónico 54 Below.

Nueva York, 19 de agosto de 2025 – La reconocida actriz y cantante, Beth Leavel, ha ofrecido a sus fans un espectáculo inolvidable en el prestigioso club nocturno 54 Below. El video, que recientemente se ha vuelto viral en redes sociales, captura a Leavel interpretando dos de sus roles más icónicos: “El Giro de Rose” de *Evita* y “Las Damas Que Almorzamos” de *Gypsy*.

El video, publicado en BroadwayWorld, muestra a Leavel desplegando toda su potencia vocal y teatralidad. Su interpretación de “El Giro de Rose” es particularmente impactante, con una entrega emotiva y llena de matices que transmiten la desesperación y el dolor de Eva Perón. Leavel demuestra una comprensión profunda del personaje y una habilidad para transmitir sus emociones con una intensidad palpable.

Luego, Leavel regresa con la energía y el carisma que la han convertido en una leyenda del escenario en “Las Damas Que Almorzamos”. Su interpretación de esta desafiante y divertida canción es un testimonio de su versatilidad vocal y su habilidad para conectar con el público.

54 Below: Un Escenario Ideal para Grandes Voces

54 Below es un club nocturno de renombre en Nueva York, conocido por albergar a artistas de teatro musical de talla mundial. Su ambiente íntimo y sofisticado proporciona el escenario perfecto para actuaciones en vivo de alta calidad.

Beth Leavel: Una Legado Inolvidable

Beth Leavel es una actriz y cantante estadounidense conocida por su trabajo en Broadway y Off-Broadway. Es particularmente conocida por su interpretación de Rose Van Haven en la producción original de *Gypsy* en 1975, un papel que la catapultó a la fama. Además de *Gypsy*, Leavel ha trabajado en numerosas producciones teatrales, incluyendo *Annie* y *Camelot*.

Mira el Video:

[Insertar enlace al video de BroadwayWorld aquí]

Palabras Clave: Beth Leavel, *Evita*, *Gypsy*, Rose Van Haven, 54 Below, Teatro Musical, Broadway, Interpretaciones Vocales, Actuaciones en Vivo, Música de Broadway.

—

Fuente: https://www.broadwayworld.com/article/Video-Beth-Leavel-Performs-Roses-Turn-and-The-Ladies-Who-Lunch-at-54-Below-20250819

Veronica Peters had an explosive fight with boyfriend Micah Plath on the latest episode of *Welcome to Plathville* following continued issues with his family.

“My family doesn’t have anything to do with mine and your relationship,” Micah, 24, claimed during the Tuesday, August 19, episode of the TLC series.

Veronica, however, didn’t agree, claiming that his parents and siblings have been pushing her buttons. “Your mom wanted me to put your name on the title of the house. We’re not married. I’m not a Plath,” she alleged, before claiming, “Your family wants to use me. You guys all call me a liar and I’m making up s*. … It’s a character mark.”

*Welcome to Plathville’ Recap: Micah’s GF Veronica Claims He Cheated on Her*

Micah insisted that his family wasn’t trying to mark her character, but the argument grew more intense with every word. “Why do you call us emotionally unintelligent? Because we don’t see things the way you see them,” Micah asked after Veronica repeatedly said that both he and his family were not on her level emotionally.

Veronica quipped, “You’re not emotionally intelligent.” When Micah explained, “You’re talking so far down to me” and it hurt his feelings, his partner didn’t back down.

*Welcome to Plathville’s Micah Breaks Silence on Veronica Cheating Claims*

“I know I need to get on your level, so you guys understand me,” Veronica fired back in a condescending tone.

Veronica and Micah’s fight came after months of feuding over his alleged allegiance to his family over his girlfriend. According to Veronica, after she voiced concerns to the Plaths over Moriah Plath’s now ex-boyfriend, she was accused of purposely stirring the pot.

Since then, Veronica and Moriah haven’t spoken and Veronica has had a falling out with their dad, Barry Plath, who allegedly called her a liar for her past comments.

“I’m just getting gaslit by everybody. … It’s many people gaslighting against one. But blame me for being emotionally intelligent,” Veronica quipped while speaking to Micah and his siblings Amber Plath and Ethan Plath elsewhere during the episode.

Ethan, 27, asked Veronica what needs to happen “for a clean slate,” but she said it would never be possible. “Your dad chose not to apologize. He said to Micah that he’s never treated me differently,” Veronica explained, to which Amber, 16, argued, “Maybe that’s what he thinks.”

Veronica and Micah’s issues continued to grow throughout the episode, with Veronica bringing up Micah’s past infidelity as proof that she has his back, but he allegedly doesn’t return the favor. (Micah confessed earlier this season to cheating on Veronica when they were long-distance.)

Veronica eventually confessed to speaking with Ethan’s ex-wife, Olivia Plath, behind the family’s back, which only hurt Micah even more.

“I never knew Olivia was another issue we had in between us,” Micah said after being taken aback that Veronica was calling Olivia, 27, to vent about his family following Olivia’s own problems with the Plaths prior to her and Ethan’s divorce.

Veronica insisted that talking with Olivia wasn’t an issue, but something she needed for her own sanity. “It was actually finding out the truth [that] was the issue. And finding out that two very different strong women have been accused, blamed, gaslit by the same group and they led us to believe that we were the problem.”

Micah was stunned, replying, “I think you are reading way too far into this. I have wanted nothing but to have your back. I just want to be able to see my family.”

*Welcome to Plathville’ Recap: Micah’s Dad and Girlfriend Call Olivia a ‘Narcissist’*

Veronica was not convinced that Micah was on her side, telling him to “grow a pair.”

After Veronica confessed, “I can’t keep doing this again,” and decided to go to their other house to “find myself again,” Micah was left reeling. “I think this is the most I’ve been yelled at and, like, talked down to, talked over, talked every which way in my whole life. We’ve had fights before; we’ve been through a lot. But as far as this level of steam that she’s blowing is new.”

Although Micah said it’s “hard to not walk away” when they are in such a bad place, he claimed, “I want nothing more than to fix this.”

*Welcome to Plathville* airs on TLC Tuesdays at 10 p.m. ET.

Fuente: https://www.usmagazine.com/entertainment/news/welcome-to-plathville-recap-veronica-claims-micahs-family-uses-her/

Kelly Clarkson has reportedly resumed filming season 29 of *The Voice* after taking a brief absence to mourn the loss of ex-husband Brandon Blackstock.

*Deadline* reported on Tuesday, August 19, that Clarkson, 43, returned as a coach for the NBC music competition show alongside Adam Levine and John Legend. Per the outlet, Clarkson missed one episode of shooting — a rehearsal for the battle rounds — with fellow *American Idol* alum Jennifer Hudson filling in.

Season 29 of *The Voice* is titled “Battle of Champions” and is being filmed simultaneously with season 28, which features Michael Bublé, Snoop Dogg, Niall Horan and Reba McEntire as judges. *Deadline* reported on Tuesday that McEntire, who is the former stepmother of Blackstock, has fulfilled her obligations and filming remains on track for the season. (McEntire was married to Brandon’s father, Narvel Blackstock, from 1989 to 2015.)

*Us Weekly* has reached out to NBC for comment.

How ‘The Voice’ Family Is Supporting Kelly Clarkson Amid Ex-Husband’s Death

After missing a handful of episodes of her eponymous daytime talk show earlier this month, Clarkson postponed the remaining August performances at her Las Vegas residency, revealing Brandon was “ill.”

“While I normally keep my personal life private, this past year, my children’s father has been ill and at this moment, I need to be fully present for them,” Clarkson captioned an Instagram post at the time. The exes shared two children: daughter River Rose, 11, and son Remy, 9. Brandon also shared kids Savannah and Seth with first wife Melissa Ashworth.

Brandon died the following day on August 7 after a three year battle with cancer. He was 48 years old.

“It is with great sadness that we share the news that Brandon Blackstock has passed away. Brandon bravely battled cancer for more than three years. He passed away peacefully and was surrounded by family,” a rep for the family confirmed to *Us* at the time. “We thank you for your thoughts and prayers and ask everyone to respect the family’s privacy during this very difficult time.”

In the days following his death, Clarkson canceled her August 17 Band Together Texas benefit concert appearance. Her talk show is currently still on track to start production in early September as scheduled, per *Deadline*, with tickets now on sale.

Earlier this week, host of *The Voice* Carson Daly exclusively told *Us Weekly* that things have been “tough” in the wake of Brandon’s death.

“We all knew Brandon well, and we are a family,” Daly, 52, told *Us*, noting that he worked with McEntire just last week. “Everything was fresh, so we’ve just been sending our prayers and support to them. It’s a terrible situation.”

He added, “It’s really no different than what you would do for your family members,” he said. “You let them know you’re there, you’re praying for them [and] you’re giving them space at the same time.”

Brandon Blackstock Secretly Battled Cancer for 3 Years Before Death

Clarkson and Brandon tied the knot in 2013. The singer filed for divorce in 2020 after seven years of marriage. Their contentious split included a court battle over property and finances and was finalized in 2022, when Clarkson received full primary custody of their two children and relocated the family to New York City.

Brandon, for his part, moved to Montana and found love again with partner Brittney Marie Jones, a former production assistant of Clarkson. In addition to Jones, Blackstock is survived by his parents, his siblings, his four children and his grandchildren.

Fuente: https://www.usmagazine.com/entertainment/news/kelly-clarkson-returns-to-the-voice-after-brandon-blackstocks-death/

The transition to the WNBA is a challenging path. As A’ja Wilson notes, it represents the toughest journey in sports, shifting from collegiate dominance to professional competition. Yet, rookies like Caitlin Clark and Paige Bueckers have defied expectations, demonstrating sustained excellence without significant periods of adjustment.

As the 2025 season progresses, the focus has shifted to Connecticut Sun rookie Saniya Rivers. In approximately 25 minutes per game, Rivers is currently averaging around 8 points, 3 rebounds, 3 assists, a steal and a half, and a block per game.

Rivers’ lithe frame facilitates exceptional mobility, combined with her size creating a formidable perimeter defender. Notably, she’s the only guard in the league currently averaging a steal and a block per game, prompting Defensive Player of the Year (DPOY) comparisons.

According to @Trendy Hoop Stars on X, Rivers’ statistics could position her for further All-WNBA defensive honors. “Two-time Defensive Player of the Year Alana Beard is the only guard in WNBA history to record at least 100 combined steals and blocks in her rookie season—until now. Saniya Rivers is just 18 stocks away from becoming only the second guard ever to reach that milestone in her first…”

Rivers’ rookie performance underscores the potential for success without overwhelming spotlight attention. While Paige Bueckers and the Dallas Wings attract considerable focus, Rivers remains committed to diligent performance. “‘Oh, I gotta do this thing now,”’ she stated, demonstrating unwavering determination.

This surge could elevate Rivers’ position in the 2025 WNBA Rookie of the Year (ROTY) race, currently contested by Bueckers and Sonia Citron. UConn alumna Bueckers currently holds an advantage due to her well-rounded game, leading her team in points, assists, steals, and blocks. However, Citron has emerged as a significant contender, averaging 15.2 points and 2.5 assists for the Washington Mystics.

As WNBA legend Candace Parker recently noted on Post Moves with Aliyah Boston, “Everyone that has to vote (on the award) is going to have a fun job doing that.” Both Bueckers and Citron are currently excelling. Parker initially favored Bueckers for ROTY, stating, “It’s just a matter of her being on the court, (it’s) what all of us want to see.” However, Parker acknowledged Citron’s performance, adding, “Sonia, make me change my ways.”

The outcome of this rookie race remains to be seen. While Bueckers benefits from significant hype, Citron represents a compelling underdog candidate deserving greater recognition.

Fuente: https://www.essentiallysports.com/wnba-basketball-news-connecticut-sun-star-set-to-pass-caitlin-clark-paige-bueckers-in-elite-wnba-rookie-feat/

Buenos Aires, Argentina – 19 de Agosto de 2025 – La conmovedora y aclamada obra de Martin McMillan, *Next to Normal*, experimentará una nueva y emocionante adaptación inmersiva en Buenos Aires, con un elenco estelar liderado por Alice Ripley, J. Robert Spencer y Adam Pascal. El anuncio, revelado hoy, promete una experiencia teatral innovadora y visceral que cautivará al público argentino.

La producción, dirigida por el renombrado director teatral Carlos Díaz, se estrenará en el Teatro Colón, uno de los teatros más emblemáticos de la ciudad, en el primer trimestre de 2026. La producción se inspira en la representación de la salud mental, la enfermedad mental, la relación familiar, y la pérdida.

“Estamos inmensamente emocionados de presentar *Next to Normal* en Buenos Aires. Creemos que su historia universal, su emotiva música y la potencia interpretativa de este increíble elenco la harán inolvidable para el público local,” afirma Carlos Díaz. “La adaptación inmersiva nos permitirá explorar la obra con una profundidad y un nivel de conexión con el público sin precedentes.”

Un Enfoque Inmersivo:

La producción de *Next to Normal* en Buenos Aires adoptará un enfoque inmersivo, que implica que los espectadores se sumergen en la vida de la familia Sullivan. A través de elementos audiovisuales interactivos, iluminación, sonido y el uso estratégico del escenario, se busca crear una atmósfera realista y envolvente que aumente la experiencia emocional. Los detalles específicos de la inmersión aún no se han revelado, pero se espera que incluyan la posibilidad de explorar el hogar de los Sullivan y las escenas que ocurren en el interior.

El Elenco Estrella:

Alice Ripley, conocida por sus interpretaciones impactantes en producciones como *Wicked* y *The Color Purple*, regresa a la Broadway al liderar el elenco como Diana Sullivan. J. Robert Spencer, veterano actor de Broadway y West End, interpretará a Dan Sullivan, el esposo de Diana. Adam Pascal, reconocido por su papel como Chris in *Rent*, se une al proyecto como George, el hermano mayor de Diana.

“Es un honor y un privilegio para mí estar involucrado en esta ambiciosa producción,” comenta Alice Ripley. ” *Next to Normal* es una obra que toca temas muy importantes y relevantes, y creo firmemente que nuestra visión inmersiva la hará aún más potente y resonante.”

Sobre *Next to Normal*:

*Next to Normal* es una obra musical de Martin McMillan que fue galardonada con cinco premios Tony en 2010. La obra explora las luchas de Diana Sullivan, una madre que lucha contra la esquizofrenia, y cómo afecta a su familia. Con una música poderosa y letras emotivas, la obra se ha convertido en un éxito mundial, explorando temas de salud mental, familia, y la búsqueda de la felicidad.

Información Adicional:

* Título de la Obra: *Next to Normal*
* Autor: Martin McMillan
* Dirección: Carlos Díaz
* Elenco: Alice Ripley, J. Robert Spencer, Adam Pascal
* Lugar de Estreno: Teatro Colón, Buenos Aires
* Fecha de Estreno: Primer trimestre de 2026
* Género: Musical Dramático, Drama Familiar

Para más información y actualizaciones, visita [Aquí iría el enlace a la página web oficial, que no está disponible en este texto].

Fuente: https://www.broadwayworld.com/article/Alice-Ripley-Robert-Spencer-Adam-Pascal-Will-Lead-Immersive-NEXT-TO-NORMAL-in-Buenos-Aires-20250819

Por [Tu Nombre/Nombre del Blog]

Fecha: Martes, 19 de Agosto de 2025

Un vistazo exclusivo a los ensayos de *PERICLES*, la innovadora experiencia de concierto de Public Works, con imágenes capturadas por Denée Benton y Crystal Lucas Perry, entre otros. La producción, que ya ha cautivado al público con sus representaciones anteriores, está a punto de volver con una nueva interpretación.

[Imagen de Denée Benton en ensayo]

*PERICLES*, la ambiciosa producción de Public Works, que combina música de Broadway con obras de Shakespeare, está en pleno fase de ensayos. Este nuevo ciclo de presentaciones promete ser una experiencia teatral y musical sin precedentes. La compañía, conocida por su enfoque único y experimental, está preparando una interpretación particular de la obra, sin revelar detalles concretos para mantener el elemento de sorpresa.

Las fotos que acompañan a este artículo fueron tomadas por la talentosa Denée Benton y Crystal Lucas Perry, quienes capturaron la energía y el entusiasmo del equipo en el proceso de ensayar. Se observa un ambiente vibrante, con la compañía trabajando en la sincronización perfecta entre la música y el drama, creando una experiencia que realmente une el teatro y la música.

[Imagen de Crystal Lucas Perry en ensayo]

Un Enfoque Único y Experimental

Public Works ha logrado un lugar especial en la escena del teatro musical moderno gracias a su enfoque innovador. La compañía, fundada por Stephen Schwartz y John Rapacz, se distingue por sus representaciones de Shakespeare con música original de Broadway, diseñadas para ser interpretadas por un elenco diverso y a menudo no tradicional.

*PERICLES*, como las producciones anteriores, promete ser un evento de alto calibre, con una coreografía dinámica, vestuario impresionante y una banda en vivo que acompaña cada movimiento. Se espera que la producción atraiga a un público amplio, desde amantes del teatro clásico hasta aficionados a la música de Broadway.

¿Quiénes están involucrados?

Además de Denée Benton y Crystal Lucas Perry, que documentaron los ensayos, se ha confirmado la participación de un elenco talentoso y diverso, incluyendo [Insertar nombres de otros miembros del elenco, si están disponibles – se podría agregar: “Una nueva generación de talentos de Broadway”], que aportará su experiencia y pasión a esta ambiciosa producción.

Detalles del Espectáculo

[Añadir aquí información sobre dónde y cuándo se representará el espectáculo. Por ejemplo: “*PERICLES* se representará en [Lugar] a partir del [Fecha]”]. Se recomienda adquirir entradas con anticipación, ya que se espera una gran demanda.

Sigue a Public Works en Redes Sociales:

* [Insertar enlaces a las redes sociales de Public Works – Facebook, Instagram, Twitter, etc.]

#PERICLES #PublicWorks #Broadway #TeatroMusical #Shakespeare #Concierto #DenéeBenton #CrystalLucasPerry

Fuente: https://www.broadwayworld.com/article/Photos-Dene-Benton-Crystal-Lucas-Perry-and-More-In-Rehearsal-for-PERICLES-A-Public-Works-Concert-Experience-20250819

It was supposed to be just another step toward tightening their grip on the division, however, instead, the Dodgers walked off the field with a loss that looked heavier than the scorecard showed. Costly errors in the outfield did not just gift opportunities to the Rockies—the issues flipped momentum in a game the Dodgers had every scope to win. That unraveling spotlighted Teoscar Hernández, whose issues in right field became the turning point that no one in the team could ignore.

Adding fuel to the fire, frustration boiled over once the final out was recorded. Reports quickly revealed that Mookie Betts, Dave Roberts and Andrew Friedman huddled together in a closed-door meeting, sparking quick speculation. “Mookie Betts, Dave Roberts and Andrew Friedman have a closed-door meeting after the Dodgers’ loss, which featured misplays in right by Teoscar. Intriguing,” posted by Houston Mitchell of the Los Angeles Times. Fans did not need long to put two and two together—the analysis had to be related to accountability and what comes next.

The heart of the issue lies in Teoscar Hernández’s defense. The star’s offensive production has been powerful—second on the team with 74 RBIs and tied for second with 20 home runs—however, the star’s glove has let the Dodgers down in vital moments. Monday’s loss was no distinctive. A bad read in the third inning and a dropped ball in the ninth were the kinds of mistakes that transformed the game’s outcome. As Dave Roberts bluntly said, “We should have won that game. This is a hard one.” For the manager, typically measured by his statement, that frustration spoke volumes.

Naturally, fans and analysts alike began to float outcomes. One of the most talked-about options? Sliding Mookie Betts back into right field, where the star has proven himself with six Gold Gloves in seven seasons. The move would shore up the defense while opening up scopes for Miguel Rojas and Alex Freeland—the 2 stars, more than capable shortstops—to take over in the infield. The manager didn’t dismiss the thought either, saying, “Defense is a big part of postseason baseball and winning baseball. He’s just got to continue to get better.” Still, it raised an intricate balancing act: can the Dodgers afford Hernández’s bat, however, sacrifice his glove?

That concern lingers like an unshaken echo. The Dodgers know the offense needs Hernández, however, the postseason is not forgiving when defense falters. As the manager put it after Yamamoto’s gem was wasted: “We get a starter that goes seven innings, their starter goes four innings and we don’t win this game. That’s a hard one to put into words.” Between the fans’ enhancing impatience and the internal urgency behind those closed doors, one thing is clear—the team’s margin for error is shrinking and the calls for transformation are only growing louder.

Fans react to Dodgers lineup dilemma

The first wave of reactions zeroed in on what some see as an obvious outcome. One fan bluntly said: “Mookie to Right, Teo to Left, Conforto to Waivers. It should have been like this since April. Enough is enough.” The message could not be clearer: defensive stability in right field begins with Mookie Betts. Given Teoscar Hernández’s costly miscues and Michael Conforto’s underwhelming production, the need for a shuffle is not just mental—it is backed by performance trends that scream for change.

Another hot topic? Why Mookie Betts has not been locked into his best position all along. “So wtf is Mookie playing shortstop? He’s a 6-time Gold Glove winner in right field,” another fan said. The data tell the story—Betts’ defensive brilliance is undeniable. Across his career, the star has established himself as a premier outfielder of MLB, winning six Gold Gloves in seven seasons before being shifted to the infield experiment.

The frustration carried a pleading tone from others: “Please go back to right, Mookie.” With good reason. In 2025, the star’s logged innings in shortstop and right field, however, Betts’ track record in the outfield is unmatched. Betts’ Gold Glove pedigree and his versatility to also cover second base speak volumes, however, at the end of the day, fans think his greatest value to the team’s championship push comes in right field.

That said, not every reaction was critical. Some fans were quick to defend the star, reminding others of Betts’ selflessness: “Mookie is a team player who will sacrifice himself to help make the team better.” It is true—he has proven that time and again. Whether it is moving to shortstop, shifting in the batting order to accommodate Shohei Ohtani and filling gaps when injuries struck, Betts has consistently prioritized the team’s needs over his comfort. That willingness to adapt has been a blessing and a curse—helping the team to maintain flexibility but also leaving questions related to whether Betts’ talent is being maximized.

Of course, not every fan was hopeful. Some vented outright anger at Roberts’ stubbornness: “Nothing will change. Roberts keeps trotting out his same dumbass lineup, thinking Conforto is good and Teo has a Gold Glove.” It is a sentiment that highlights the enhancing impatience in the team. For some, the issue is not just Hernández and Conforto—it is the manager’s insistence on sticking to a formula that clearly is not working. With the postseason coming quickly, that frustration could boil over if adjustments aren’t made quickly.

Fans have spoken and their message is loud: fix the defense, put Mookie back where he belongs and stop wasting scopes. Whether the Dodgers listen remains to be seen, however, with October coming quickly, the margin for error is razor-thin.

Fuente: https://www.essentiallysports.com/mlb-baseball-news-enough-is-enough-los-angeles-demands-big-change-as-mookie-betts-joins-closed-door-meeting-after-teoscar-hernandezs-rough-night/

¡Buenas noticias para los fans del musical “Heather” en Broadway Off-Broadway! La talentosa actriz Kate Rockwell se unirá al reparto en octubre, reemplazando a la icónica Kerry Butler en el papel principal. La noticia, confirmada el martes 19 de agosto de 2025, ha generado gran expectación entre los aficionados al musical.

¿Qué sabemos sobre “Heather”?

“Heather” es una adaptación moderna de la novela de Douglas Burden. La comedia oscura y satírica sigue a un grupo de amigas secundarias de una popular adolescente que, después de su suicidio, buscan venganza contra la chica popular, Veronica Sawyer. La obra ha ganado reconocimiento por su humor negro, su banda sonora original y su enfoque en personajes femeninos complejos.

La Sustitución de Kerry Butler

Kerry Butler, quien ha interpretado a Heather en numerosas producciones de “Heather” a lo largo de los años, se encuentra actualmente inactiva debido a compromisos profesionales. La producción ha decidido contratar a Kate Rockwell, una actriz con una trayectoria sólida en Broadway y Off-Broadway, para asegurar la continuidad del espectáculo. Rockwell, conocida por su versatilidad y carisma, ha trabajado en producciones como “Wicked” y “9 to 5: The Musical”, lo que la convierte en una excelente elección para encarnar a Heather.

Fechas y Detalles del Desembozo

La sustitución de Kerry Butler tendrá lugar en octubre de 2025. Las fechas específicas de la sustitución aún no han sido publicadas por el equipo de producción, pero se espera que las confirmaciones lleguen en las próximas semanas. Se recomienda a los interesados seguir de cerca las actualizaciones en las páginas web y redes sociales de la producción para estar al tanto de los detalles.

¿Por qué es importante esta noticia?

Esta sustitución destaca la vitalidad y el continuo interés en “Heather” en el mundo del teatro musical. Demuestra que el musical sigue siendo una opción popular y que la producción Off-Broadway está comprometida a ofrecer una experiencia teatral de alta calidad.

Seguimiento y Actualizaciones

Para obtener la información más reciente sobre el Desembozo, las fechas de la producción y los detalles de la presentación, te recomendamos que sigas las siguientes fuentes:

* BroadwayWorld: [https://www.broadwayworld.com/article/Kate-Rockwell-to-Step-in-for-Kerry-Butler-in-HEATHERS-Off-Broadway-in-October-20250819](https://www.broadwayworld.com/article/Kate-Rockwell-to-Step-in-for-Kerry-Butler-in-HEATHERS-Off-Broadway-in-October-20250819)
* Páginas web y redes sociales de la producción de “Heather” Off-Broadway. (Serán agregados en las próximas actualizaciones si se publican)

Palabras clave SEO: “Heather” Off-Broadway, Kerry Butler, Kate Rockwell, Broadway, Musical, Sustitución, Teatro Musical, Comedia Oscura, Producción Teatral, BroadwayWorld.

Fuente: https://www.broadwayworld.com/article/Kate-Rockwell-to-Step-in-for-Kerry-Butler-in-HEATHERS-Off-Broadway-in-October-20250819